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The Rich Writer

The Rich Writer

The Rich Writer

How to Thrive on the Writer's Road

Friday, July 1, 2011

Five Writing Lessons I Learned From TV

I used to spurn TV. Why would I waste all that time sitting in front of the tube when there are so many other things to do in life? Why not spend the time writing, instead?

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*Photo credit

Well, despite that lovely black-and-white vision of the world, I now watch the occasional TV series. Why? From a writer's perspective, there are numerous reasons to indulge in this visual form of storytelling:

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Friday, May 20, 2011

People-Watching with Purpose: Twenty Tips

I’m a huge fan of people-watching. The more we watch, listen to, and try to understand real people, the better we’re able to get inside the heads of our characters. 

I wrote earlier this week about the mix-and-match art of character creation and how you can collect details from friends, family, coworkers, acquaintances, and strangers. Once you’ve collected a nice selection of show-stopping specifics, you can play around with them the way you might play around with a Mr. Potato Head, popping in different eyes, glasses, financial crises, psychological profiles, crazy relatives, and so on.

People-watching can yield other types of inspiration as well. It’s a fantastic way to get past first draft plot snags and a rich source of ideas for complications and surprises and…well, you get the idea.

The next time you need to replenish your pool of creative ideas, take yourself someplace with people, grab a latte, and enjoy some quality time with your idea notebook. Here’s a list of people-watching possibilities to get you started—use these as a jumping-off point, if you’d like, but above all pursue the details that inspire. Enjoy!

Twenty People-Watching Tips

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Sunday, May 15, 2011

Mix-and-Match Characters

I played with a cool “puzzle” as a kid: three blocks stacked on top of one another, with a rod threaded through them so they can rotate independently. The result is a 3-cube stack with a different picture on each of the four sides. The top third of each image shows a head, the middle third a body, and the bottom pictures the legs and feet.

Line up the images, and you have four simple characters: for ex., a cartoon tiger, alligator, hippo, and monkey. You can also twist the blocks to connect the monkey body to the hippo head and alligator legs, or connect the alligator body to a tiger’s tail and a monkey’s head. (Now, of course, this puzzle is available as a smart phone app….)

Sometimes I think character creation works the same way: you borrow the geeky appearance of one person, add in the always-in-motion high energy of another, mix in a quirky turn of speech you overheard in the elevator and the girl-next-door’s fluorescent pink high tops…and pretty soon you’ve pieced together your protagonist.

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Thursday, March 17, 2011

Ten Reasons to Practice Freewriting

Many writers I know think of freewriting as writer-style therapy—a way to get worries out of your head and onto the page. However, freewriting has so many more applications. The Faculty Leadership for Writing Initiative at the University of Nebreska-Lincoln defines it as “an invention strategy where students write for a certain amount of time for the purpose of generating ideas…”

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Great. But what does “generating ideas” really mean? The truth is that I don’t *want* new story ideas when I’m supposed to be editing my current work-in-progress. New story ideas = distractions, so if that’s your view of freewriting, you’ll probably shove it on the shelf until you’re ready for a new project (or a new therapy session…) And that would be a shame, because freewriting has a lot to offer writers at all stages and skill levels.

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Friday, February 25, 2011

Seven Strategies to Keep Momentum When You Don’t Have Time to Write

Over the past week, I’ve had a flood of freelance and contract writing—which is wonderful and fun, but makes it much more difficult to maintain momentum on my work-in-progress (WIP). Back in January, blogger Jill Kemerer wrote about how momentum is vital to success

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I wholeheartedly agree. When I lose momentum on a project, I often dread returning to it. I know it will take me days to get rolling again, and I’ll be plagued by the ghosts of ideas that I meant to write but can’t quite grasp anymore. So how do you keep writing momentum when your time is limited?

Here are a few tricks that have worked for me:

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Wednesday, February 16, 2011

When the Words Won’t Flow: Four Tools to Try

Stalled scene? Lagging action? Flat description? Sometimes when you’re writing it feels like there’s no way forward—and all you want in the world is to trade in your pen and paper for a nice, mind-numbing sitcom.

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Most of the time, though, a scene stalls for one simple reason: you don’t have enough information. And that’s an easily-remedied problem. Try these jump-starts the next time your words won’t cooperate.

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Tuesday, May 25, 2010

Collaging the Subconscious

Yesterday, two of my critique group friends and I got together to make collages for our current book writing projects.

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chris

 

 

This is one of my favorite creative thinking exercises, because I always learn more about my story in the process. This board leans against the wall above the desk where I write, where it will provide encouragement, inspiration, and a continuing reminder to take a little time each day to spend time with this book.

…speaking of which, I think it’s time for me to go get started!

Happy writing!

:) Cheryl

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