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People-Watching with Purpose: Twenty Tips

The Rich Writer: People-Watching with Purpose: Twenty Tips

The Rich Writer

How to Thrive on the Writer's Road

Friday, May 20, 2011

People-Watching with Purpose: Twenty Tips

I’m a huge fan of people-watching. The more we watch, listen to, and try to understand real people, the better we’re able to get inside the heads of our characters. 

I wrote earlier this week about the mix-and-match art of character creation and how you can collect details from friends, family, coworkers, acquaintances, and strangers. Once you’ve collected a nice selection of show-stopping specifics, you can play around with them the way you might play around with a Mr. Potato Head, popping in different eyes, glasses, financial crises, psychological profiles, crazy relatives, and so on.

People-watching can yield other types of inspiration as well. It’s a fantastic way to get past first draft plot snags and a rich source of ideas for complications and surprises and…well, you get the idea.

The next time you need to replenish your pool of creative ideas, take yourself someplace with people, grab a latte, and enjoy some quality time with your idea notebook. Here’s a list of people-watching possibilities to get you started—use these as a jumping-off point, if you’d like, but above all pursue the details that inspire. Enjoy!

Twenty People-Watching Tips

  1. Choose a location your character would normally frequent and observe the people there—or choose a location your character wouldn’t normally frequent and observe.
  2. Choose a crowded location for your people watching foray: a busy shopping mall, a fairground, a festival, a city street...or pick an isolated spot away from crowds and craziness.
  3. Choose a noisy location, like a concert or McDonald’s play place…or pick a spot that’s quiet. How does the noise level affect different individuals?
  4. Take a ride: people-watch on a bus or train.
  5. Look for people who look out of place. What is it that makes them stand out? Their physical appearance—cleanliness, type of clothes, age, gender, ethnicity? Or is it something more subtle, like the way they stand or fidget or look around? Capture the details.
  6. Look for people who fit in. Why do they “fit”?
  7. Identify emotions: pay attention to nuances of facial expression and body posture.
  8. Apply a stereotype: using your first impressions, identify people who (at first glance) fit stereotypes such as ditz, brain, druggie, geek, theater lover, popular kid, overbearing father, grumpy teacher, harried mother.
  9. Got some stereotypes in your line of sight? Good. Now identify what physical traits made you jump to the stereotypic interpretations.
  10. Flip the stereotypes: imagine how the real person might be completely different from the stereotype you just assigned. Look for surprises and contradictions.
  11. List what different people are doing. Interpret their actions, assigning both an obvious motive—he’s parking the car so he can go grocery shopping—and a less obvious motive—he’s parking the car because he’s evading the police.
  12. Now assign the most outrageous motives you can imagine.
  13. Imagine what criminal act each person could commit. What would drive them to that act?
  14. Search for relationships: discover how people relate to each other. What gives away peoples’ connections?
  15. Search for tensions. What relationships might be wearing thin? What are the signs?
  16. Search for happy interactions. What are the signs?
  17. Eavesdrop on arguments. What body language goes with it? Do they try to disguise the disagreement?
  18. Write down what people are saying: turns of speech, dialect, word choice, unusual conversation topics.
  19. Notice physical characteristics of voice: high, low, throaty, too loud. Take notes on any that inspire.
  20. Observe how different people interact with their environment. What bothers them? What do they enjoy? How much do they try to control the world around them?

I’m sure you have some creativity-inspiring questions to add. I’d love to hear them!


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