This page has moved to a new address.

Mix-and-Match Characters

The Rich Writer: Mix-and-Match Characters

The Rich Writer

How to Thrive on the Writer's Road

Sunday, May 15, 2011

Mix-and-Match Characters

I played with a cool “puzzle” as a kid: three blocks stacked on top of one another, with a rod threaded through them so they can rotate independently. The result is a 3-cube stack with a different picture on each of the four sides. The top third of each image shows a head, the middle third a body, and the bottom pictures the legs and feet.

Line up the images, and you have four simple characters: for ex., a cartoon tiger, alligator, hippo, and monkey. You can also twist the blocks to connect the monkey body to the hippo head and alligator legs, or connect the alligator body to a tiger’s tail and a monkey’s head. (Now, of course, this puzzle is available as a smart phone app….)

Sometimes I think character creation works the same way: you borrow the geeky appearance of one person, add in the always-in-motion high energy of another, mix in a quirky turn of speech you overheard in the elevator and the girl-next-door’s fluorescent pink high tops…and pretty soon you’ve pieced together your protagonist.

Okay, maybe it’s not so simple, but the principle is valid: assuming that each character you create is a collage of people you’ve met, observed, heard about, or read about—with liberal application of exaggeration and creative interpretation—you can improve your character-creating ability by increasing the number of “puzzle pieces” you can choose from.

This is why people-watching is such a great skill to develop—the real world offers an endless supply of character inspiration that can be much stranger than fiction. Here are some categories of character details you can collect for your inspiration file:

  • Appearance. Go beyond standard eye color, hair color, height and weight to more memorable details—look for unusual features and play with unusual comparisons to create the image you want. “Skin the color of ditch water”, for instance, is a heck of a lot more interesting than “brown”.
  • Carriage. I like to study the kids in our local orchestras to see how they sit, stand, and move. One teen boy has dark hair that falls past his nose; during a concert, he looks half-wild as his hair whips around his face. Some kids slump; some sit at the edges of their seats; some slouch as if embarrassed about their heights. Pay attention both to how people carry themselves and what that reveals about their characters.
  • What they carry. This can say tons about a person—and spark a story or three along the way. I’m still wondering about the guy I saw riding a motorcycle with an upright vacuum cleaner strapped to his back….
  • How they speak. Do your characters tend to all sound the same? This is a great way to collect interesting expressions and ways of speaking.
  • Personality. Pay attention to the nuances—people aren’t stereotypes, and the most interesting details are often the most surprising. Search out the contradictions.

I’ll write more about people-watching on Wednesday. Meanwhile, I’d love to hear from you: Where do you get inspiration for your characters?

Labels: , , ,


Post a Comment

Subscribe to Post Comments [Atom]

<< Home